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November 1, 2009

And the winner is….

Kristina! Her comment on Marilyn Brant’s hilarious guest post was selected by Random.org as the lucky winner, which means Kristina will receive the signed copy of Marilyn’s wonderful new book According to Jane.

Didn’t win but still want to pick up a copy for yourself, or maybe as a holiday gift for someone special? Cruise on over to Amazon.com, Barnes & Noble, or your local independent bookseller. And while you’re waiting for it to arrive, don’t forget to check out Marilyn’s blog for updates and more chatty, fun posts!

October 26, 2009

Author Marilyn Brant Plus a Book Giveaway!

accordingtojanePlease welcome guest blogger Marilyn Brant, who is not only a lovely friend and avid blogger, but also author of the hilarious, romantic, and moving new book According to Jane. The story of a young woman who receives advice – some good and some questionable – from the spirit of Jane Austen, According to Jane won the Golden Heart, the top award for unpublished romance novels, quickly setting Marilyn – and her book – on the path to publication.

I loved According to Jane when I read it and can easily give it my recommendation. Read on to see how you can win a signed copy of your own! But first, Marilyn has a few things to say…

Over the past few months, Caryn and I had a running email conversation that went something like this:

July

Caryn: “Hey, when According to Jane comes out, how about doing a guest blog on my site? Maybe about what it’s like to be a debut author? Something fun like that?”

Me: “Oh, sure. Sounds great! Just let me know a good time. We can chat about it some more after I get back from the RWA conference. Did you know I have to bring bookmarks and postcards and all sorts of stuff this time? Even ARCs. Oh, there are gonna be a few extra meetings this year, too.”

Caryn: “Really? Like what?”

Me: “A bookseller/librarian gathering, a Book 3 planning session with my agent, a few publisher-hosted events. I get to meet my publicists…”

Caryn: “You get to meet your publicists? In person?”

Me: (nodding) “Kinda cool, eh? My publisher takes that whole marketing and selling thing pretty seriously.”

August

Caryn: “How’s it going — busy? Still want to blog next month?”

Me: “Yeah — to both questions. It’s weird, though, you know? There’s a LOT to do before a book comes out. I’d almost go so far as to say it’s an ENDLESS stream of work… Having a release date looming at the end of September is making my life surprisingly stressful. I’m not really sleeping.”

Caryn: “That’s not good.”

Me: “No. Um, not to change the subject abruptly or anything, but do you have any idea how to make a magazine-quality PDF for an advertisement that’s going to run in a national print publication with a readership of over 10K?”

Caryn: (squinting at her computer) “What?”

Me: “That’s okay. That’s okay. Never mind…” (pause) “How about newsletters? What have you heard about the pros and cons of email marketing?”

Early September

Caryn: “So, did you want to set a date for your blog visit now?”

Me: (fighting to breathe from underneath a suffocating stack of advanced reading copies for reviewers, unmailed prizes to contest winners, thank-you cards, 45 single-spaced pages of interview questions, promo details and Book 2 revision notes) “Huh?”

Mid-September

Caryn: “You okay? Maybe it’d be better to have you guest blog later — you know, AFTER the release. When things calm down a bit for you.”

Me: “OMG, OMG. They’re putting my BOOK on the SHELVES. In STORES!! And LOOK! Amazon reviewers!!” (pointing at the screen in a state of near-delirium) “They RATED it. With STARS! I mean, I knew they did that, but did you see what that one person from Seattle said about my main character?! It was NOT nice! But then this guy from Boston wrote in, and he said…” (wandering off to click obsessively at the different pages showing the Amazon rankings and review comments for the week of September 29, 2009)

Caryn: “Marilyn? Hello? Helllooooo??! You still there??”

Early October

Me: (in a stream-of-conscious monologue to anyone who stood still long enough to listen) “…and I have to do a few book signings THIS WEEK!! And a library presentation! And did you know how popular book clubs are?! I’ve been invited to SEVEN of them already! Why do people keep asking me if I’m okay? I’m FINE…really, totally fine…hey, are those chocolate-covered espresso beans? Could I have, maybe, a handful of those NOW? Also, who knows how to find out first-week sales figures? Someone here has to know that, right? Right?!”

Caryn: (muttering to herself) “I’m not even gonna try to email her…”

Late October

Me: “Oh, whoa. When did fall start?” (glancing around with the surprise of a revived coma patient) “That’s strange.”

Caryn: “So, you seem a bit calmer now with the release behind you. What’s it like being a debut author with your book out and everything?”

Me: “Hmm.” (trying to think of an apt comparison, given my rather fuzzy recollections of the past 4 months) “Well, even though I read Pride & Prejudice & Zombies, I’m hardly an expert on the living dead…but, given that it’s Halloween week and all, this might be the best way to explain it: You know how zombies are portrayed as sort of alive in that they’re wandering around, mindlessly doing lots of unnatural things but, mostly, they’re in this trance-like state of un-restfulness and their people skills really suck?”

Caryn: (typing back worriedly) “Yeah?”

Me: “Well, I think there may be few parallels…”

Hope you all have a Happy Halloween, Everyone! To Caryn and to those wonderful friends who put up with my crazy pre-pub zombieness this summer and fall, thank you!

Love Marilyn’s writing as much as I do? Leave a comment below to enter to win a signed copy of According to Jane. One winner will be randomly selected from all commenters on the evening of Sunday, November 1st. Can’t wait for Sunday, or maybe you want to get an early start on holiday shopping? Pick up a copy today!

April 13, 2009

Eileen Cook dishes on publishing, embarrassing moments, and her new book

What Would Emma Do?After reading Eileen Cook’s new book What Would Emma Do? in one fun-filled weekend, I knew I had to invite her back for another interview. Fortunately, she consented to indulge my nosiness about her book, her writing process (or lack thereof) and the land of publishing. Please welcome Eileen, who has provided heaps of great information, seasoned with her trademark dash of humor.

Thanks for coming, Eileen! First of all, for those who haven’t yet read it, could you tell us a little about What Would Emma Do?

I think of WWED as a mix between The Crucible and the movie Saved. I think I’ll cheat and use the back copy blurb to explain it:

Thou shalt not kiss thy best friend’s boyfriend…again….

There is no greater sin than kissing your best friend’s boyfriend. So when Emma breaks that golden rule, she knows she’s messed up big-time. Especially since she lives in the smallest town ever, where everyone knows everything about everyone else….and especially because she maybe kinda wants to do it again. Now her best friend isn’t speaking to her, her best guy friend is making things totally weird, and Emma is running full speed toward certain social disaster. This is so not the way senior year was supposed to go.

As the blurb and the title hint, WWED addresses some pretty deep issues, but it’s also hilarious and suspenseful, which is no easy feat! Author Meg Cabot admitted that it made her laugh out loud, and I know my mind kept returning to it every time I set it down, since I wanted to know what happened. So how long did it take you to write it, from when you first had the idea to when the book came out?

It took me about a year to write the book. I was lucky in that my agent was able to sell it very quickly – in a couple of weeks. Once with the publisher it takes about a year.  First there are edits, then when you think you are done there are more edits, covers need to be designed, and the sales team needs to talk the book up to bookstore representatives.  I had no idea it took so long from the time you sell a book to the time it hits the shelves. Patience is a virtue for writers.

I can see how that could definitely be a surprise. Other than the slow pace of the publishing industry what are some big misconceptions many people have about writing and/or publishing?

I know what surprised me about the process. I was shocked after my first book came out that the world kept spinning along just like it always did. There were no trumpets, no parade, and Oprah didn’t call. I have wanted to write as long as I could remember and it had been such a journey to publication that it seemed that life should somehow be RADICALLY different when it actually came true. The truth is that I still spend most of my days writing in a stretched-out sweatshirt and drinking gallons of tea.

If anyone wants to organize something, I am still very open to the idea of a parade.

I’m sure lots of other people are curious about how publishing works, and you’ve probably gotten numerous questions about it. What are a few that you wish people would just stop asking already?

My two favorite annoying questions would be: You’re a writer? How come I never heard of you? and How much money do you make?

Wow! How rude. Well, as you’ve made your way through publishing, you’ve clearly learned a lot. If you could go back in time and talk to your beginning writer self, what would you tell her?

I would tell myself to hang in there. I had a knack in the early days for taking everything very personally.  If someone told me they didn’t like my work it felt like they spit in my face. Then came back and pushed me down.  I wasn’t prepared for how loooooong the whole process would take and how there would people along the way who enjoy tearing other people down for the sake of making themselves feel better.

I would tell myself to write the books I want to write and worry about the business aspects later.

It sounds like it all came out right, despite those difficulties — lucky for us, since now we get to read your books! What were some of the best decisions you made in your publishing career?

One of the best decisions I made was choosing to sign with my agent, Rachel Vater (Folio Literary).  She has been an excellent business partner.  In this business you need to have someone’s opinion that you can trust.  I count on her to tell me honestly what she thinks of my manuscripts and advise me on details of contracts.  Rachel has a huge enthusiasm for her clients and always picks me up on those days when I want to throw my lap top across the room.

I always stress to other writers to make the agent choice carefully. In the midst of the agent search it can be easy to think “I’ll take anyone. Someone just please sign me!”, but this is going to the person representing you. A good agent can have a huge impact on your career. It’s like marriage, so choose wisely.

I would also add to my “good choice” list surrounding myself with good friends and fellow writers.

What’s your writing process like? Do you tend to plot everything before you start or do you make it up as you go along — or something in-between? How about your writing schedule? Do you have one?

People have a process? I really should get one of those. I love the idea of having a set routine or process, but I find my life keeps getting in the way. Sometimes I write at home and other times I like to be in a coffee shop or at the library. I write in the morning, afternoon or evening — depending on when I have the time. The only consistent would be that when I am in the middle of the story I find I need to write at least a small bit every day or I lose track of the story. What I would tell new writers is to try all different types of approaches until they find one they like. There isn’t one routine that works — it is a case of what works for you. I used to be a total pantster. I won’t ever make it to true plotter status, but now I’m somewhere in the middle. I usually start with a bit of an outline, but leave myself a lot of room to wander where the story takes me.

You’ve captured the YA voice very well. Do you read a lot of young adult books yourself? What are some of your favorites?

I love YA books!  Heck, who am I kidding? I love books period. I am a total author junkie. I love Meg Cabot, Judy Blume, Sarah Dessen, Jacqueline Mitchard, Meg Tilly, Elizabeth Scott, Lisa McMann — I could go on and on.

Anyone who writes (published or not) inspires me because it takes dedication to get the story down on paper and guts to put it out there for others to read.

What is one of the more memorable things that has happened since you’ve been published?

I’m not sure if it’s interesting — but it is funny. After my first book, Unpredictable, came out I was out in a public place and saw a random stranger reading my book. I was beyond excited. This is what I had always dreamed of — someone reading (and seeming to enjoy) something I wrote. I went up and said that I was the author of the book she was reading. We talked for a few minutes and then she asked me sign her book. When I took the book from her I realized it wasn’t my book, the cover looked similar, but is was another book. I signed the other author’s name and hightailed it out there. That was quite possibly the most embarrassing moment thus far — and also the most hysterical.

So what’s next, book-wise? Another YA or back to women’s fiction?

I’m soooo excited for my next book.  It’s called Getting Revenge on Lauren Wood.  It’s a tale of friendship, betrayal, revenge and classic movies. I had so much fun writing it. It will be out in either December or January.

I’ve also just heard that my proposal has been accepted to write a middle grade series, so that will be my next project. It is about a young girl who comes from a long line of fairy godmothers. She’d rather be normal. Mayhem ensues.

Those sound terrific! I’m especially excited about your middle grade series; the parnormal element can add such fun to a book! In the meantime, I’ll just have to content myself with What Would Emma Do? and Unpredictable, both of which are available now.

November 30, 2008

Where do these people come from?

I’ve loved author Sandi Kahn Shelton’s blog ever since I first read it many months ago. Her humor and warmth are evident in every paragraph, and her stories are rich with detail. So of course it was no surprise to hear that her newest book, Kissing Games of the World, has received rave reviews, including a coveted starred review from Library Journal. What do they love best? Her multi-dimensional characters. And here to talk to us about how those fictional people came to life is Sandi herself.

One of the most fun things about writing a novel (or as my uncle put it, “telling lies for profit”) is coming up with characters. People are always asking writers where the characters come from — it’s the #1 question when you go for readings and signings — and I’m afraid they always seem disappointed by the truth, which is, “I have utterly no idea.”

With my new novel, Kissing Games of the World, the main character, Jamie McClintock, showed up one morning when I was taking a bath. I was lying there concentrating on keeping the tub filled to the top with hot water using only my big toe (a delicate balance of draining and refilling which practically requires a degree in engineering and physics to keep it just right), when I noticed somebody wafting around over by the shower head, explaining to me about how she was an artist and a single mom raising her 5-year-old boy, Arley, who had asthma. They lived in a farmhouse in Connecticut with Harris, an older man famous in town for his rascally womanizing, who was now redeeming himself by raising his 5-year-old grandson, Christopher, whose father had run away.

I like a character who shows up with her trouble already spelled out; it’s much harder to work with somebody who insists that life is just fine. And Jamie had a whole bunch of trouble. Right at the beginning, Harris dropped dead unexpectedly, and his estranged, hated son (Christopher’s father, Nate) came back to claim the house and his little boy, and move him back to California. As Jamie explained the situation, Nate was a jet-setty, arrogant kind of guy, a salesman, and his plan was to drag his kid along on his business trips and educate him in hotel rooms. Jamie went hysterical over this. (I didn’t mind; I’ve learned finally that you have to put your most beloved characters in lots of trouble, or there’s no story.) I was having lots of fun writing about Jamie’s view of this guy when one day, while I was driving to work, Nate said to me, “Wait just a minute. Would you just hold on a bloody second? I’d like to tell my side of things, if you don’t mind.”

And — well, he proceeded to take over the whole book. (Kind of like when you let a man drive your sports car for a minute. You have to be careful or you won’t get the keys back.)

At first I thought I would just give him a chapter, let him explain a couple of things Jamie couldn’t possibly know about, but then his voice was so strong, and he had such an interesting story, that he and I just kept going together. He had things to tell me about his father, and about his mom and his wife, and why he played baseball as a kid, and who he slept with in high school, and why he thought traveling and sending money was the best thing he could do for his son. He told me about his fiancée and his charismatic boss, and even some of his favorite sales strategies.

And — this is a little embarrassing — but I kind of fell for the guy. In a good way, of course. Whenever I’d be writing his scenes, it was like taking dictation. I honestly could hear his sarcastic, take-no-prisoners tone of voice. He made me laugh.

“Write a book about me,” he would whisper to me at night when I was falling asleep. “Come on. Let’s do this together!”

But I had to tell him, “This is not your book. This is Jamie’s story. And even more importantly, my publisher doesn’t want a story told from the man’s point of view. This is women’s fiction, pal. I have a contract.”

So we compromised. I limited him to every other chapter. One for Jamie, one for him. And an interesting thing happened. While his chapters were exciting and funny as hell and practically came to me faster than I could type them, Jamie realized she was being outdone and had to step up and start making her story deeper and more dramatic, too. I mean, this woman had issues. Not just the kid with asthma either. Trust problems, ex-boyfriend troubles, a wish to use her art to hide from human beings. And when little Arley ended up adoring Nate, while Christopher would have nothing to do with him, Jamie found herself actually hoping that Nate, whom she loathed, would stick around.

He didn’t, of course. Not at first anyway. But I can’t tell you any more than that. Except that it was a real ride, being in these two different heads at all times. It was fun exploring love that comes out of nowhere and slams people right upside the head, as my mother would have put it. I hadn’t ever written a real love story before. I was afraid of being too Hallmark card-ish or sentimental. You know how that can be. And honestly, there were times when I was writing this book that I thought this love story was so unsentimental that it wasn’t going to work out at all, that everybody would go their separate ways and be better for it.

But then — well, a whole bunch of stuff happened. It always does, if you’re lucky. You’re at the mercy of these characters who show up in the bathtub with you, or sitting next to you in the passenger seat, or chatting you up from your pillow in the middle of the night — and suddenly they take on a life of their own, and you’re just along for the fun of it. That’s the thing you can’t ever really explain to people who think the character surely is really you, or your best friend, or a guy you went to high school with.

They’re nobody you know, but for a little while, they move into your head and explain life to you — and then one day you finish the book, and you look around for them, but they’re gone. And soon, somebody else is lurking by the shower fixture, saying, “Pssst. I have something to tell you…”

Sounds like a terrific story, doesn’t it? If you want to know more, check out Sandi Kahn Shelton’s website, then head over to Amazon.com, Barnes and Noble, or your local indie bookstore to pick up your copy of Kissing Games of the World. Who knows? Maybe someone on your Christmas list would enjoy a copy, too…

September 2, 2008

Strong Women, Intrigue, and Great Prose. What Could Be Better?

I had the pleasure of meeting debut author Joanne Rendell at a conference this summer and hearing all about her new book The Professors’ Wives Club, which is coming out today. Not only is she a lovely person with a fantastic blog and a great accent (she’s originally from the U.K.) but from the reviews and the premise of both this book and her next it appears she’s also a terrific novelist with a promising career ahead of her. I already ordered a copy for myself and can’t wait until it arrives. Please help me in welcoming her to the blog and to congratulating her on her well-deserved success!

Hi Joanne. Thanks for coming. I know I’ve already put my copy of The Professors’ Wives Club on order, but for those who don’t know anything about it yet, what is it about? What inspired it?

The Professors’ Wives’ Club tells the story of four women doing battle with a ruthless dean at Manhattan U – a university in downtown New York which looks a lot like NYU, where my husband teaches. The power hungry dean is set to bulldoze a beloved faculty garden. What he hasn’t bargained for, however, is the guts and will of the four professors’ wives who are determined to halt the demolition plans. In their fight to save the garden, the women expose the dark underbelly of academia – and find the courage to stand up for their own dreams, passions, and lives.

That sounds like an interesting premise. You just don’t read that much about university life, even though so many readers have been to college or are there now so they can relate. What inspired you to delve into this subject and write The Professors’ Wives’ Club?

I actually came up with the idea for the book when out with a friend, another professor’s wife like me. We were gossiping about other professors’ wives who we both knew and it struck me then what interesting characters professors’ wives would make.

These women – and, of course, there are professors’ husbands and partners too – are in an interesting position. They are often deeply connected to the university world. They live in faculty housing, take their kids to university childcare, and work out at the university gym. However, when it comes to university decisions, they have little power.

I liked the idea of pitting these seemingly powerless women against a dean who, in his little kingdom of the university, has so much power.

In addition to being the wife of a professor, you yourself have a very strong academic background, including a Ph.D. in English,  yet you write (and, I presume, read) commercial women’s fiction. Some might see that as a difficult leap, especially with the focus so many English departments put on high-brow literature. Was it hard for you to break out of your academic shell and just write and read for the fun of it?

Not at all. I’ve always been a big reader of commercial women’s fiction. Even when I was at grad school, I always had a stack of such books by my bed. Some of my peers and professors might have frowned on my well-thumbed copies of Bridget Jones’ Diary or Weiner’s Good in Bed but I didn’t care. I ate them up!

Popular fiction by women, for women, and about women has always gotten a bad rap. Romance novels continually get stereotyped as “soft porn for desperate housewives.” Chick lit has been dismissed by the literati as throwaway “fluff” obsessed with shopping and shoes. And even women writers like Jodi Picoult, ones who tackle more serious issues, are often labeled “hysterical” and “melodramatic” by snooty reviewers (if they get reviewed at all!).

It has become one of my missions to expose just how sexist and elitist this is. Why is it that women’s fiction gets such a bashing? Women do most of the reading these days, yet still the fiction we write struggles to be taken seriously? It makes me so mad, but it also makes me a fierce defender of popular/commercial women’s fiction of all kinds – from romance to Picoult!

I can definitely relate to that, especially since I experienced the same thing in my own academic career. So since not everyone is so englightened, how do you feel about your friends, family and contemporaries from your academic life reading your work? What about reviews? Are you worried about them, or do you just plan to ignore them?

I love it. It makes me a little nervous too, of course. You can’t help wondering what everyone will think when they read it and whether they will like it. I particularly love the idea of academics reading this book – if they dare! So far, there are few books out there that explore the private lives of women on campus. Novels like Michael Chabon’s Wonder Boys or Zadie Smith’s On Beauty have looked at university life, but mostly from the male perspective. When literary fiction sets a book on campus it invariably tells a story about a male professor who’s either sleeping with or contemplating sleeping with his students! I’m tired of this story and maybe other people are too?

Reviews can be the best thing in the world if they’re good and a real kick in the teeth if they’re bad (especially when they’re posted on Amazon for the world to see!). But it’s all part of the roller coaster ride of publication. I’m learning that a thick skin is essential. As writers, we have to remind ourselves that reviews are just one person’s opinion. Furthermore, we have to appreciate that those people in powerful positions who get to say what is a “good” or “bad” book (in other words, the reviewers in the press or book trade) are often white, male, elite, and are not necessarily interested in the kind of books we write! In short, we can’t take reviews too personally; there’s too much politics and personal taste at play.

Yes, I can see how once again a propensity toward literature can affect reviews of women’s fiction. Although you are a great champion of women’s fiction — including romance, the most popular subgenre of women’s fiction — The Professors’ Wives Club is not a romance novel. Nonetheless, you were at the Romance Writers of America conference last month. Why? What did you take away from it?

My publisher was the one to suggest I go. At first, I was flummoxed. Me? There are no bodices or billowing pirate blouses on my cover after all, and when I looked at the RWA’s criterion for membership my novels didn’t fit the bill: “Books catalogued as romance” and “A main plot centering around two individuals falling in love.” My novel has romantic elements, for sure, but it’s more about women learning, growing, and finding happiness from themselves and from their friendships with other women.

But then I perused the RWA’s website further and was reminded of the staggering success of the romance industry. More than a quarter of all books sold are romance and in 2006 romance fiction generated $1.37 billion in sales (outselling every other market category). In the current climate where book buying is on the decline and where authors are increasingly expected to do the lion’s share of their book’s promotion, a new writer would be foolhardy not to want to learn something from the perennial success of the romance world.

Thus, I signed up and at the end of July jetted off to San Francisco for the conference. It was a blast! The Romance Writers of America are such a supportive and generous group of (mostly) women. They are so smart and professional too. Plus, they’re eminently welcoming. They don’t care if your book doesn’t fit the genre exactly. In fact, it was rare to meet anyone who wrote a standard romance, if bodice ripping and ravishing princes are what you were looking for! I met young adult fiction writers, chick lit writers, and other commercial women’s fiction writers like me. One woman I talked to wrote books about aliens, another about elves; others about panthers and vampires.

Mostly, I had a great time meeting wonderful and encouraging women. I also learnt so much about the publishing industry which I would never have known if I hadn’t attended. I’m going to the RWA convention every year from now on!

Yes, it was a wonderful conference, wasn’t it? Although my first attempts at writing were in the romance genre, I’m not longer solidly there, and yet I have learned more about writing from the romance community than from any other. Those women really know how to band together and help each other, and they’ve analyzed what does and doesn’t work in storytelling. What better place for a writer to learn? So other than joining RWA or similar organizations, what other advice do you have for unpubbed writers out there who are hoping to become published someday?

Join a writing group, either on or offline. Other writers are often fonts of wisdom not just about the craft of writing, but also about the publishing business.

Keep reading. Whichever genre you intend to write in – whether it’s mystery or literary fiction – make sure you know it inside out.

Keep writing. I really treat writing as a job. I sit down at my desk and tell myself I must write 500 words a day. I then get going. Often I trash a lot of what I write the next day, but at least I have words on a page to work with.

Keep learning about writing. Even now, with two books published, I continually go back to my books about writing (such as John Gardner’s Art of Fiction). I have to keep learning about, and reminding myself, what makes good dialogue, or how to transition well into a flashback scene, or how to go easy with the adverbs, or how to show, not tell. Writing is a craft and thus something you must keep working at.

You mentioned above that you are about to have two books out, and I noticed on your website that your second one will be released in the summer of 2009. I’m curious now! What’s it about?

The novel tells the story of two women, professors this time, who work in an English Department. One of the women, Diana, is older, very serious, and extremely established in the academic world. She’s only interested in very serious literature and has written a number of books on Sylvia Plath.

The other professor, Rachel, is new to the department. She’s young, enthusiastic, and her scholarship looks at popular women’s fiction. Her scholarship ruffles a lot of feathers in the academy because people see the books Rachel looks at as trashy and unimportant. Diana is particularly adamant on this point and really doesn’t like it when the young professor comes to the department.

The book basically looks at the tensions between these two very different women and also shows all the repercussions in their department and in their lives when they are forced to work side by side. A handsome visiting professor from Harvard and some high-profile, misbehaving students only serve to make sparks fly even more between the two women.

It sounds fantastic, and I love that it addresses the idea of literary fiction vs. women’s fiction. It reminds me of some of the essays novelist Jennifer Crusie has written in defense of genre fiction.

Thanks for visiting, Joanne! Now I’m off to see if my copy of The Professors’ Wives Club has arrived yet. And if others are interested, they can pick up copies everywhere, including Amazon.com, Barnes & Noble, Target, and their local independent bookstores, starting today. Happy reading!

May 20, 2008

Driving Sideways & a Contest!

Driving Sideways cover

Author Jess Riley stopped by to share a little background on her new book Driving Sideways, which officially went on sale this morning. I’ve been a long-time reader of Jess’s blog, and am happy to say that every bit of her humor and warmth carry over into her debut novel. (Yes, I already started reading my copy, and I’ve found myself both laughing out loud and sharing passages to the closest people, cats, or pieces of furniture because it’s that good.) Enjoy what she has to say here, and then keep reading to find out how you can buy or win your own copy of Driving Sideways.

People sometimes ask me how much research I did for Driving Sideways. And I reply, “Research? I was supposed to do research?”

I’m kidding of course. As one who has had neither kidney disease nor an organ transplant, I had to do a ton of research before I started writing. I also took the Driving Sideways roadtrip twice: once before writing the novel, and again after I had a publishing contract, just to make sure I got it right.

The second time I headed west, I met my gracious blogging host Caryn for lunch…she was so funny and charming and had the most beautiful hair. I’d been driving in a Toyota for more than thirty hours by then, and my hair was actively campaigning for reassignment to someone else’s head. But because she is quite possibly America’s Sweetheart, she didn’t seem to notice and invited me to guest blog on her site today. (Thanks Caryn!)

As I write this, there is just one calendar day before the book’s launch. Here are some of the thoughts that have been bouncing around my head a day before the book is finally released:

My handwriting has really deteriorated since the third grade. I just know I’ll sign someone’s book and later they’ll be like, “Who’s ‘Jeff Bubby?’”

I read three different excerpts to my Dad’s English classes at my alma mater, UW-Oshkosh, last Thursday. And I was shocked at how bawdy some of the humor is. Really, I would like to take a black marker to my grandmother’s copy. Also, the women planning the book launch party? They said this to me: “Yes! You were right about the bathroom humor! You’re so shy and genteel in person, and then we read the reference to the five-alarm bucket of chicken wings and the hives and it was like, WHOA!”

In case anyone asks, there are several reasons for this: 1) the main character, Leigh, struggles with a terminal illness and the accompanying surgeries, daily medications, and lifestyle changes. Thus, she is understandably obsessed with the human body and its various functions. Call it ‘morbid preoccupation.’ 2) Roadtrips can be exhausting and monotonous. After several hours in the car, your sense of humor can deteriorate to very basic levels. I think you know what I’m talking about. And, 3) I am a six year-old with severe ADD at heart.

Also, I have one last grant proposal to write some time in the next two weeks. Procrastination, I shake my fist at you!

I want to close by asking if any of YOU have any questions about the ‘behind the scenes’ of the publication process…I’ll check in a few times and do my best to answer. Thanks for reading and helping me celebrate release day!

Enjoy what Jess had to say? You can pick up copies of Driving Sideways and read more about it on the Random House website, from Amazon.com (complete with a preview of the first scene!), from Barnes & Noble, or at your local bookstore. Even Target’s got copies (online now, in stores on June 19th)!

Now, for what you really want to know: Just how can you, dear reader, win a free autographed and personalized copy of Driving Sideways for your very own? Just comment below and tell Jess and me why you want the book. Be creative, silly, or painfully honest — we want to know! All entries must be in by midnight M.S.T. next Monday, May 26th. I’ll post the results on Tuesday or Wednesday.

If you already have your own copy, feel free to comment anyway. Congratulate Jess, thank her for sharing her experiences, compliment her hair (which, for the record, is so much nicer than mine), ask questions, or just tell everyone else how great the book is.

Happy reading!

March 12, 2008

An Interview with Melissa Walker

Violet by Design cover image

We have a guest today on The Book Lady. Young adult author Melissa Walker stopped by to discuss her newest book, Violet by Design, the sequel to Violet on the Runway, which came out last fall.

Hi, Melissa. Thanks for coming to talk to us. Could you please tell us a little about the Violet books?
Thanks for having me. Violet on the Runway is about a gawky wallflower from NC who gets scouted to come to NYC and enter the fashion world of runways and magazine shoots. She deals with a lot — from the jealousy of best friends at home to the drugs-and-eating-disorders world of modeling in the city. Ultimately, she’s not SURE she wants to continue.

But in Violet by Design, a chance to travel internationally lures Violet back into the fashion fray. She falls in love, gets criticized for gaining 5 pounds, speaks out to the press (much to the dismay of her agent) and has to decide once again if this shallow but beautiful world is right for her.

Other than the intriguing premise and fabulous reviews, why should people read the Violet series?
Well, lots of people have read some shallow fashion titles in the past. But I tried to make Violet about more than stacked heels and It bags (although those are always fun to throw in the mix). The fashion world has serious sides — the weight issue, the competition among girls, the sometimes over-the-top party scene — and I hope that watching Violet struggle with navigating those things will resonate with readers.

Like many of your characters, you’ve worked in the fashion industry. I assume much of your research, and even your inspiration, came from that background?
As an editor at ELLEgirl, I interviewed a lot of fashion types and up-and-coming models. Peeking into their world was fascinating, and the idea to put a real girl into that madness was too appealing to ignore! That’s also how I did my research — right in their model apartments.

I know everyone takes a different road to publishing. What was yours like?
I did things backwards. I’d been at ELLEgirl magazine writing and editing for a few years, so I put together my magazine clips and a one-page summary of what I imagined Violet on the Runway would be about. I sent that out to an editor, who asked to see the first two chapters, so I sat down to write those.

She came back with an offer! I was thrilled, but also scared, so I asked her to give me a week to find an agent. I asked friends and people I knew in publishing for advice on which agents I should talk to. I found a fantastic agent and we went from there… It was a fun process!

So now that you’re agented and editored (I’m reserving the right to make up words), what’s your writing scheduled like?
When I’m working on a book, I set it up this way: I eat breakfast, then write. I don’t allow myself to have lunch until I have 1000 words on the page. (I hope that doesn’t sound weird/food disordery!). They don’t have to be good words, but they have to be there. I do that five days a week, ideally; afternoons are spent working on magazine stories. Of course, some days I play hooky and watch Oprah — I have to let myself enjoy the perks of being freelance every once in a while! But in general, I am pretty consistent with the 1000-word rule.

Where do you write? In an office? A coffee shop? A comfy chair in your living room?
Comfy chair! It’s pink with little yellow flowers and it catches the sunlight really well.

I’m sure you spent plenty of time thinking about what life would be like when you were published in book form. How has it been similar to or different from what you had expected?
It’s a total dream that someone will actually pay me to write, so I just want to say that I feel completely grateful for my career! That said, when people ask me why I’m not on the bestseller lists yet, or where my big book tour will take me, I feel like I’m disappointing THEIR ideas of what “being published” is. It ain’t all first class and bon-bons… it’s more like working REALLY REALLY hard to find readers for your book, because you’re the one who cares the most.

Any advice for writers out there hoping to become published, too?
I wrote a quick guide for teens here, and I think it goes for adults too…

So what’s next? Another Violet book or something else?
Violet in Private is book three — it comes out in August! I’m trying to start work on a new idea, but I’m still at the “taking suggestions” stage. Anyone?

Well, Melissa, I’ve asked a ton of questions, but there must have been something left out. So, what should I have asked that I didn’t?
Um, maybe you should ask me what my favorite wig color is. It’s blue.

Have questions or comments? Melissa will stop by to respond throughout the next few days. And if you want even more info on Melissa and her books, be sure to stop by her website, or check out Violet by Design and Violet on the Runway on Amazon.com. And, of course, don’t forget to visit her blog for fun updates, insights into the fashion industry, some great contests and, of course, writing about…writing!

February 5, 2008

Eileen Cook Discusses Unpredictable

Unpredictable by Eileen CookDebut author and hilarious blogger Eileen Cook is visiting The Book Lady this morning to discuss her new book, Unpredictable, which went on sale TODAY and has already earned many tons of glowing reviews. Please join me in welcoming her, and don’t forget to check out her ultra fabulous book!

Thanks for dropping in, Eileen. I know this is a pretty big day for you, but could you please tell us a little about Unpredictable while you’re here? What’s it about?
I’d be happy to. Unpredictable is the story of Sophie, who is the kind of woman who doesn’t give up easily. When her boyfriend leaves her, she’s determined to get him back. She pretends to be a psychic in order to give his new girlfriend a reading that will break them up. When parts of her reading come true, she finds herself a media darling and psychic star. The only thing she can’t predict is what she should do next.

The first chapter of the novel is available on my website, www.eileencook.com, if you are the type of person to like a sneak peek.

That sounds like a great premise. What was your inspiration for the book?
My husband belongs to a group called CSI (Committee for Skeptical Inquiry). It’s a group of skeptics who use science to investigate everything from alien abductions to the Loch Ness monster. I went with him to a conference that showed how easy it was to fake psychic skills and how often the person getting the reading has a different recall of what was actually said. At first I thought about how I could turn this to my advantage. I could start a new career as a psychic to the stars and leverage myself into A-list parties. But I had one question: Why? I knew how someone could fake psychic abilities, but I still wanted to know why they would fake it. Playing with that question was the beginning of the story that became Unpredictable.

In my day job I work as a counselor for people who have had catastrophic injuries or illness. This could account in part for why I write humor. During my graduate training we learned about how reality is often hard to define; two people can see the same event and interpret it very differently. Since that time I’ve always been interested in how people see the world and the decisions they make based on that world view. This theme tends to show up in all of my fiction.

What else would you like your readers to take away from reading Unpredictable?
My biggest hope is that people love it so much that they feel compelled to buy it by the case lot to give to all their friends and family. Assuming that this might be a bit much, what I would hope for is that people would laugh out loud and feel it was good entertainment for their money.

Unpredictable has already received many glowing reviews. Are you nervous about what reviewers have to say or do you, like some authors, plan to ignore them?
I know that it is impossible that all reviews will be positive, since you can’t please everyone. This doesn’t mean I can’t hope! I was very glad that my first review (from Romantic Times) was positive; it was a nice way to start the process.

The subject of titles recently came up on The Book Lady. Unpredictable was originally entitled In the Stars. What happened?
The book sold to Berkley, and we were moving forward towards publication last February. Based on foreign rights sales and the movie option, Berkley decided to re-do the cover. The original cover was fine, but I feel the new cover “fits” the book better. As a new writer I had very little say in the cover process, but I did forward links to the covers I really liked. Once we had the new cover it was decided that the title didn’t work any longer and the new title was created. I would be lying if I said I understood the way publishing works; right now I am along for the ride.

The new cover is gorgeous, so it seems you really lucked out. Speaking of the publishing biz, what was your road to success?
While writing Unpredictable I picked up a copy of Writer’s Digest that had an interview with agent Rachel Vater. I don’t recall what she said, but I remember thinking, “She’s perfect for me!” I stuck the article on my bulletin board (complete with her picture) and whenever I found myself blocked I would remind myself that this fabulous agent was waiting for my masterpiece, even though we had never communicated. Inside my head we were already a mean, lean writing team. Rachel discovered me in her slush pile and after she had a chance to read the full manuscript she offered representation. A few months later she was calling with the BIG NEWS that Berkley had made an offer. Much champagne was consumed.

Aside from writing amazing books and finding the perfect agent, what else would you recommend for those who have yet to become published?
Read, read, and read some more. Also, remember that this is supposed to be fun. If you find writing makes you miserable, consider taking up knitting instead. But if you can find the joy in it, there is nothing better.

It sounds like you’re enjoying your new career. What is your favorite part of being an author? Least favorite?
I love the process of writing, of being caught up in a world of my own making. My least favorite would be the days when the writing doesn’t seem to want to come. As for the publishing side, I am still so thrilled to have to this chance at all that I am finding it hard to think of what I don’t like. I’m sure in a few more years I will be more crusty and cynical.

Now that you’re off to such a wonderful start, what’s next?
I’m currently working on a young adult novel with the working title of WWAD — What Would Alice Do? It’s a spin on the play The Crucible, which dealt with the Salem witch trials. I’ve set it in a modern day Christian high school. I’m having tons of fun with it — at least when the revisions aren’t kicking my fanny. It is part of a two-book deal with Simon Pulse/Simon Schuster.

Good luck with it, Eileen, and with Unpredictable as well! Thanks for stopping by today.
Thank you very much, and thanks for having me. I had a great time!